Breadcrumb
Events
Ulvi Haagensen’s solo exhibition “Thea Koristaja Museum” at Hobusepea Gallery opens on Wednesday, 2 September 2020 at 6pm. The exhibition is open until 21 September, 2020.
“Welcome to our place”, says Thea Koristaja, as she opens the door and indicates for us to enter an exhibition that explores the connections between art and everyday life. Thea Koristaja is an imaginary person, an artist, and a cleaner and this is her museum. Together with two other imaginary artists, known as Olive Puuvill and Loome Uurija, she works with Ulvi Haagensen, who is quite real, to explore how art and life can meet, converge, overlap and sometimes clash.
The exhibition uses the upstairs and downstairs of the gallery to present two different contexts – the exhibition space and the studio. Upstairs is clean and tidy, not dissimilar to a living room or hallway in a home – after all, we want to make a good impression, don’t we?
Katrin Enni’s exhibition “Shivers” in Draakon gallery will be opened on Wedenesday, 2nd of September at 18.00. The exhibition remains open until September 19.
Katrin Enni’s solo show “Shivers” is a sound environment made of copper – one of the first metals that humans learned to use. In the gallery, each instrument has a voice of its own, producing different rhythms and frequencies. Together these create a sound environment that can be experienced in a way similar to natural sounds – existing and developing on its own with visitors invited to step in, observe and listen. The structure of the sound piece is not fixed but based on combinations that emerge from endless repetitions. The vibration speakers placed under copper objects add physical dimension to the sound.
You are cordially invited to the exhibition “Impression on paper. Publications from the CCA’s archive” at Lugemik’s new bookshop, showcasing rare and less known publications from the CCA’s archive alongside the selection provided by the bookshop.
This compilation of publications, from the archive of the Estonian Centre for Contemporary Art that the centre has been adding to since beginning of the 1990s, can be viewed as signs and artefacts of their time, documents of past events and not yet defined art movements. The display includes festival catalogues, exhibition booklets, artist books, works of graphic design and self-published materials.
During the exhibition Lugemik bookshop offers 10% off of all books published by the CCA. Additionally, everyone is welcome to visit the CCA’s archive located in the third floor of the same building.
The exhibition focuses on printmaking as a process that is cultivated through contacts between forms and counterforms (negative space), and by the tension produced by these interactions. We are not so much interested in specific images, proofs, shapes or manners as in printed matter’s ability to introduce the new space that emerges between matrix and multiplicity. We focus on forms, and their dissemination through various statements and manifestations of printmaking in the post-disciplinary era. We define material as a subject, while the predicate denotes what the material does. We wish to return to the beginning of the functions of imprint and investigate its points of contacts with other disciplines.
On Thursday, 27 August at 5 p.m. Johanna Mudist will open her solo exhibition “Flora and Fauna” in the small gallery of the Tartu Art House.
With these drawings, Johanna Mudist continues her little man’s series, where the play between the small format of her piece and the proportions of the human-character(s) depicted, looked at the myth of the little man known from the classics of literature. When used in literature, “little man” was little mostly in terms of its function (e.g. some clerk as a cog in the machine), Mudist, however, is observing the system as a whole. This time, the play with proportions has moved on from people also to flora and fauna.
Having drawn the distinction, dividing the world into living beings, plants and animals, the artist abandons it almost at once and demonstrates the metamorphic nature of all matter. All conceivable proportions are uncertain and sequences are arbitrary.
On 27 August at 7 PM, Vaal Gallery in Tallinn will open the exhibition of Laura Põld and Piret Karro, Shedding Skin.
The exhibition project was born in joint creation of the two authors and brings together Laura Põld’s site-specific installations, drawings and ceramics and Piret Karro’s poetry, prose and photos in the format of a notebook series.
Shedding Skin refers to changing, hardening, and the need for self-creation. The dialogue between Põld and Karro took place in the context of the movement restrictions established in the course of this year’s global events. Particular focus was set on the practical issues of living arrangements and cohabitation constellations as well as the survival strategies of cultural workers.
Piret Karro’s texts are straightforward and convey Eastern European realism. She uses assertive and poignant free verse to write about intimacy and violence and the relationships between body and space, locating herself en route between Tallinn–Berlin–Budapest.
The exhibition project was born in joint creation of the two authors and brings together Laura Põld’s site-specific installations, drawings and ceramics and Piret Karro’s poetry, prose and photos in the format of a notebook series.
Shedding Skin refers to changing, hardening, and the need for self-creation. The dialogue between Põld and Karro took place in the context of the movement restrictions established in the course of this year’s global events. Particular focus was set on the practical issues of living arrangements and cohabitation constellations as well as the survival strategies of cultural workers.
Piret Karro’s texts are straightforward and convey Eastern European realism. She uses assertive and poignant free verse to write about intimacy and violence and the relationships between body and space, locating herself en route between Tallinn–Berlin–Budapest.
Once again, on August 19th, begins the annual ceramics symposium at Tohisoo Manor House and kiln yard, in Kohila. In 2020 we celebrate both the 20th symposium and 20 years passing from the first anagama-kiln constructions. The format of this year´s symposium is different. Given the circumstances, the usual international event is postponed and the group is composed of local participants.
Kohila Symposium has become a tradition, an important event both in the local and international scene, gathering contemporary knowledge and skills around different wood-firing techniques while functioning as a mediator between the professional community and among the general public.
On August 19th at 5pm at KORDON Container Gallery is opening of the video installation “Case No.14. The Storm on the Baltic Sea” by Karel Koplimets with Artist Talk at 6pm and Sea Rescue Seminar afterwards. You are very invited!
We see a pop-up container gallery as design activism dealing with urgent issues: technology and capitalist (over-)consumption and its contrast with nature.The video installation “Case No.14.
The group exhibition ida ots(as)? / east end(s)? focuses on re-examining and reflecting on the identity and socio-psychological experiences of Eastern Europeans. Eight Estonian artists will present their works in diverse mediums, and thereby create a complex offering for an open intergenerational dialogue.
We question: What does it mean to be a nation that is located and defined as being North-Eastern European? How is Estonia's identity shaped by inner and outer expectations? When will we be able to live up to the set of economic, societal and developmental standards of Western Europe or do we have the backbone to define a new path?
Alexei Gordin https https://www.alexeigordin.com/
Madlen Hirtentreu https://www.madlenhirtentreu.com/
Flo Kasearu http://www.flokasearu.eu/
Madlen Hirtentreu https://www.madlenhirtentreu.com/
Flo Kasearu http://www.flokasearu.eu/